Halle Berry and Patrick Wilson save the world from a rogue moon in the latest disaster movie from the director of “Independence Day.”
- Moonfall
- Directed by Roland Emmerich
- Action, Adventure, Sci-Fi
- PG-13
- 2h 10m
In the disaster movie “Moonfall,” the moon goes out of orbit and starts coiling its way toward Earth, causing environmental disasters and setting the clock on humanity. Scientists calculate ellipses; screenwriters ready their exclamations. “Everything we thought we knew about the nature of the universe has just gone out the window,” a N.A.S.A. official (Halle Berry) proclaims. But for the director Roland Emmerich (“Independence Day,” “The Day After Tomorrow,” “2012”), who treats the planet to potentially life-ending cataclysms with the regularity of dental checkups, it’s not much new under the sun.
To learn more, Berry’s character, Jocinda, visits a restricted N.A.S.A. compound, where Donald Sutherland, as the staff deep-secrets keeper, appears to have been waiting, growing his hair long and listening to Mahler with a gun ready. Jocinda will need to team up with Brian (Patrick Wilson), an ex-astronaut who hates her after the fallout from an accident years earlier. Their moonshot to save the world, carried out as a rogue mission while the authorities stupidly ready their nukes, will involve traveling through space without electricity. Their seatmate — a fringe-science guy (John Bradley) whose mantra is “what would Elon do?” — should probably turn off his smartphone.
This off-world adventure flirts with the transcendently goofy, but Emmerich spoils it by crosscutting to a useless narrative thread on Earth, where Brian and Jocinda’s sons (Charlie Plummer and Zayn Maloney) have been thrown together to seek safety in Colorado, for reasons that make as little sense as anything else. (Hearing that the planet is on the brink, Michael Peña, as Brian’s ex-wife’s current husband, announces, “We should go to Aspen.”)
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